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	<title>stephaniejburt</title>
	<link>https://stephaniejaneburt.com</link>
	<description>stephaniejburt</description>
	<pubDate>Wed, 07 Jan 2026 07:53:40 +0000</pubDate>
	<generator>https://stephaniejaneburt.com</generator>
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		<title>Info</title>
				
		<link>https://stephaniejaneburt.com/Info</link>

		<pubDate>Sun, 21 Jun 2020 05:18:54 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

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Stephanie Jane Burt is an artist whose practice spans from sculptural installations to fictional prose. Her work invites the viewer to explore dialogues between her installations and their settings through a fictional narrative at times referencing film and literature. Her research looks across feminism, gender, an analysis of girl culture and the nouveau roman. She started a research project, A Stubborn Bloom, which explores representations of femininity within fashion, film and material culture.&#38;nbsp;
For more information:
https://objectlessons.space/Stephanie-Jane-Burt-on-Looking-Communicating-Girlhood-through-Fictionhttps://www.fashionandmarket.net/home/my-own-words/a-stubborn-bloomhttps://www.singaporeartmuseum.sg/Art-Events/Past-Exhibitions/Time-Passes/Stephanie-Jane-Burt-Dressing-a-Wndowhttps://www.yeoworkshop.com/cn/artworks/1475-stephanie-jane-burt-late-bloomer-2024/https://ocula.com/art-galleries/yeo-workshop/exhibitions/stephanie-jane-burt-what-is-the-current-that-/https://www.esplanade.com/whats-on/festivals-and-series/series/visual-arts/meshes-and-teeth#synopsishttps://www.esplanade.com/offstage/arts/insights-stephanie-jane-burt
https://www.instagram.com/a_stubborn_bloom/?hl=enhttps://www.fzine.com/fashion/a-stubborn-bloom-singapore-fashion/https://asianfilmarchive.org/performing-femininity-aprons-capes-and-school-uniforms/https://asianfilmarchive.org/event-calendar/singapore-shorts-21-selection-5-3/

https://www.nuyou.com.sg/people/local-artist-stephanie-jane-burt-shows-the-power-of-weakness-through-installation-art-works


https://www.mens-folio.com/style/artist-stephanie-burt-bottega-venetas-accessories/https://www.mens-folio.com/style/the-art-of-fashion-archiving-in-singapore/https://www.fzine.com/culture/a-stubborn-bloom-stephanie-jane-burt-daniela-monasterios-tanhttps://universes.art/en/bangkok-art-biennale/2022/stephanie-jane-burt
https://iscp-nyc.org/resident/stephanie-burt


	
	


	
	

© stephanie jane burt</description>
		
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		<title>Stephanie</title>
				
		<link>https://stephaniejaneburt.com/Stephanie</link>

		<pubDate>Sun, 21 Jun 2020 05:18:55 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

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		<title>Meshes and Teeth </title>
				
		<link>https://stephaniejaneburt.com/Meshes-and-Teeth</link>

		<pubDate>Wed, 07 Jan 2026 07:53:40 +0000</pubDate>

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data-src="https://freight.cargo.site/t/original/i/7df83832628b41203bddf6056556ceb6504dd85fda0cee78a3db5e19d8049e39/Esplanade-Jan2025-StephanieJaneBurt_037.jpg" data-mid="242546295" border="0"  src="https://freight.cargo.site/w/1000/i/7df83832628b41203bddf6056556ceb6504dd85fda0cee78a3db5e19d8049e39/Esplanade-Jan2025-StephanieJaneBurt_037.jpg" /&#62;&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/2cda177b8aa7de5fcaacfa6e22b31e8adc3bc6571df5513d4152ed3a63db8892/Esplanade-Jan2025-StephanieJaneBurt_045.jpg" data-mid="242546297" border="0"  src="https://freight.cargo.site/w/1000/i/2cda177b8aa7de5fcaacfa6e22b31e8adc3bc6571df5513d4152ed3a63db8892/Esplanade-Jan2025-StephanieJaneBurt_045.jpg" /&#62;&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/c5fd0e7566453e76019afdc1adef15f7b17b283af76f5233f989bacb5e96f311/Esplanade-Jan2025-StephanieJaneBurt_035.jpg" data-mid="242546265" border="0"  src="https://freight.cargo.site/w/1000/i/c5fd0e7566453e76019afdc1adef15f7b17b283af76f5233f989bacb5e96f311/Esplanade-Jan2025-StephanieJaneBurt_035.jpg" /&#62;&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/ef9e7ec002ab75e5e30738c62fdbb66b23ba8782f9b32ee7b448a419aa4f98d1/Esplanade-Jan2025-StephanieJaneBurt_028.jpg" data-mid="242546266" border="0"  src="https://freight.cargo.site/w/1000/i/ef9e7ec002ab75e5e30738c62fdbb66b23ba8782f9b32ee7b448a419aa4f98d1/Esplanade-Jan2025-StephanieJaneBurt_028.jpg" /&#62;&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/7f4bcf1606c82488b5c1f05da4416ba5e73fc0e46d3797a68891ac54c7e03d6a/Esplanade-Jan2025-StephanieJaneBurt_025.jpg" data-mid="242546267" border="0"  src="https://freight.cargo.site/w/1000/i/7f4bcf1606c82488b5c1f05da4416ba5e73fc0e46d3797a68891ac54c7e03d6a/Esplanade-Jan2025-StephanieJaneBurt_025.jpg" /&#62;

&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/2a0bffa105e461efce759a89b12d0b361cdae80a8d086941b3cb96c4895a1535/Esplanade-Jan2025-StephanieJaneBurt_176.jpg" data-mid="242546248" border="0"  src="https://freight.cargo.site/w/1000/i/2a0bffa105e461efce759a89b12d0b361cdae80a8d086941b3cb96c4895a1535/Esplanade-Jan2025-StephanieJaneBurt_176.jpg" /&#62;Stephanie Jane Burt expands her interest in the formation and representation of self in a site-specific exhibition exploring gender dynamics, social constructs and identity. Working with print, text, moving images and sculptural installations, she creates scenes that evoke film sets and fictional worlds, employing a visual vocabulary inspired by literature, film and material culture.

The non-linear narrative that unfurls across the Tunnel circles around its enigmatic female protagonist. Through intricate sculptures, poetic turns of phrase and glimpses of how the body moves and performs, we are invited to view this world through our protagonist's lens. Bodily behaviour and material culture—fashion, objects we own—carry political and social significance. Burt reflects on the body as a site where social norms and individual expression are constantly negotiated. The exhibition title, Meshes and Teeth, touches upon the tensions between utility and destruction, support and control, inviting the viewer to consider the individual’s relationship with society and our surrounding environments. The exhibition offers spaces of affinity and contemplation while embracing the possibility of individual agency in forging new ways of moving forward.
Solo Exhibition
Esplanade Tunnel&#38;nbsp;16 Jan – 11 May 2025</description>
		
	</item>
		
		
	<item>
		<title>Late Bloomer </title>
				
		<link>https://stephaniejaneburt.com/Late-Bloomer</link>

		<pubDate>Fri, 05 Apr 2024 02:12:41 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

		<guid isPermaLink="true">https://stephaniejaneburt.com/Late-Bloomer</guid>

		<description>
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/e3c266ff561ab8c5a6bc589f563369b5787e31b85688fecfa11c3e2de9270f9b/850_7494-Edit.jpg" data-mid="208333269" border="0"  src="https://freight.cargo.site/w/1000/i/e3c266ff561ab8c5a6bc589f563369b5787e31b85688fecfa11c3e2de9270f9b/850_7494-Edit.jpg" /&#62;
&#60;img width="2449" height="3673" width_o="2449" height_o="3673" data-src="https://freight.cargo.site/t/original/i/183947c5d9ba3c0d581f353d501eef1600289701825a9a2e2d8a36ba8efb2813/CARTIER--Art-Patrons-Society-Dinner-4.jpg" data-mid="208333270" border="0"  src="https://freight.cargo.site/w/1000/i/183947c5d9ba3c0d581f353d501eef1600289701825a9a2e2d8a36ba8efb2813/CARTIER--Art-Patrons-Society-Dinner-4.jpg" /&#62;
&#60;img width="2449" height="3674" width_o="2449" height_o="3674" data-src="https://freight.cargo.site/t/original/i/baca6147fdd509f07f08f5d2571af1c990d82636da9b2b8e03579914fbcf63f7/CARTIER--Art-Patrons-Society-Dinner-5.jpg" data-mid="208333271" border="0"  src="https://freight.cargo.site/w/1000/i/baca6147fdd509f07f08f5d2571af1c990d82636da9b2b8e03579914fbcf63f7/CARTIER--Art-Patrons-Society-Dinner-5.jpg" /&#62;Late Bloomer

Metal, Paint, Wire Mesh, Ribbon, Cloth, Pins, Tulle, Thread
Dimensions Variable




as shown at The Managed Heart: Art and Emotional Labour, NTU ADM Gallery, Singapore 2024
Cartier Art Society, 5 Cluny Hill, Singapore</description>
		
	</item>
		
		
	<item>
		<title>And so to mend her </title>
				
		<link>https://stephaniejaneburt.com/And-so-to-mend-her</link>

		<pubDate>Sun, 26 Feb 2023 09:58:51 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

		<guid isPermaLink="true">https://stephaniejaneburt.com/And-so-to-mend-her</guid>

		<description>

&#60;img width="1183" height="780" width_o="1183" height_o="780" data-src="https://freight.cargo.site/t/original/i/84b873fa1a3420e32c5ae5338b1a156a99922119c295c6f4c0d7816374168bc9/Screen-Shot-2023-02-26-at-6.02.11-PM.png" data-mid="169723463" border="0"  src="https://freight.cargo.site/w/1000/i/84b873fa1a3420e32c5ae5338b1a156a99922119c295c6f4c0d7816374168bc9/Screen-Shot-2023-02-26-at-6.02.11-PM.png" /&#62;&#60;img width="1167" height="778" width_o="1167" height_o="778" data-src="https://freight.cargo.site/t/original/i/035d1d30e197685f9e2dd54599ea8664669b89a2fb847ae3e2ae5fd9dfcf12a1/Screen-Shot-2023-02-26-at-6.02.27-PM.png" data-mid="169723464" border="0"  src="https://freight.cargo.site/w/1000/i/035d1d30e197685f9e2dd54599ea8664669b89a2fb847ae3e2ae5fd9dfcf12a1/Screen-Shot-2023-02-26-at-6.02.27-PM.png" /&#62;&#60;img width="513" height="771" width_o="513" height_o="771" data-src="https://freight.cargo.site/t/original/i/9edcdab6ad7d69adcb2c2595516203dbef243a6dc24323218b7eda0fd8c046bb/Screen-Shot-2023-02-26-at-6.02.41-PM.png" data-mid="169723465" border="0"  src="https://freight.cargo.site/w/513/i/9edcdab6ad7d69adcb2c2595516203dbef243a6dc24323218b7eda0fd8c046bb/Screen-Shot-2023-02-26-at-6.02.41-PM.png" /&#62;&#60;img width="1137" height="753" width_o="1137" height_o="753" data-src="https://freight.cargo.site/t/original/i/2911b882daa4712e58b556805a89ab93104641efbfa723ddc98ac5902edfca76/Screen-Shot-2023-02-26-at-6.02.53-PM.png" data-mid="169723466" border="0"  src="https://freight.cargo.site/w/1000/i/2911b882daa4712e58b556805a89ab93104641efbfa723ddc98ac5902edfca76/Screen-Shot-2023-02-26-at-6.02.53-PM.png" /&#62;&#60;img width="1197" height="787" width_o="1197" height_o="787" data-src="https://freight.cargo.site/t/original/i/23d42e5535d63d36a18258f32b92d7d6d6b8feebd185df8259ac7c49a64615c9/Screen-Shot-2023-02-26-at-6.03.07-PM.png" data-mid="169723467" border="0"  src="https://freight.cargo.site/w/1000/i/23d42e5535d63d36a18258f32b92d7d6d6b8feebd185df8259ac7c49a64615c9/Screen-Shot-2023-02-26-at-6.03.07-PM.png" /&#62;And So To Mend Her - 
Gave Me Work Until Another MornSite-specific installation, 2022
Home Economics by A Stubborn Bloom, 
Video Work, 2021
Production supported by 
The National Arts Council Singapore

Venue: JWD Art Space, Bangkok ThailandBangkok Art Biennale 2022
Curated by&#38;nbsp;Apinan Poshyananda

I told my Soul to sing

She said her Strings were snapt

Her bow-to Atoms blown

And so to mend her-gave me work

Until another Morn

-Emily Dickinson

 
Charlotte Bronte’s Jane Eyre sees the rise of a heroine struggling against the patriarch conventions of Victorian society. Escape through flight, starvation and madness, the novel chronicles her journey into maturity. Her confrontation with Rochester’s mad wife Bertha, allows her to face head first with her own emotional captivity. Bertha, in the analysis of The Mad Woman in the Attic by Sandra Gilbert and Susan Gubar examines her as Jane’s dark double. Bertha represents the feral secret side of Jane which she tries to repress since she was a child. The novel’s climax sees the demise of Bertha, allowing Jane to fully reunite with Mr Rochester. This psychological doubling is explored within the installation where two sides of Jane’s persona meet.
</description>
		
	</item>
		
		
	<item>
		<title>Juliet's Dinner </title>
				
		<link>https://stephaniejaneburt.com/Juliet-s-Dinner</link>

		<pubDate>Sun, 26 Feb 2023 09:41:43 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

		<guid isPermaLink="true">https://stephaniejaneburt.com/Juliet-s-Dinner</guid>

		<description>
&#60;img width="1411" height="823" width_o="1411" height_o="823" data-src="https://freight.cargo.site/t/original/i/a0c9108a17a70fbe41b584f24aaa43181e6387bbf56b1a85ee5cb4b880d259f0/Screen-Shot-2023-02-26-at-5.48.04-PM.png" data-mid="169723055" border="0"  src="https://freight.cargo.site/w/1000/i/a0c9108a17a70fbe41b584f24aaa43181e6387bbf56b1a85ee5cb4b880d259f0/Screen-Shot-2023-02-26-at-5.48.04-PM.png" /&#62;&#60;img width="1413" height="778" width_o="1413" height_o="778" data-src="https://freight.cargo.site/t/original/i/d705fb374d0ed3621c2bb254fb559b83ad2f80b4658df96f0cc98ab27624a577/Screen-Shot-2023-02-26-at-5.49.12-PM.png" data-mid="169723057" border="0"  src="https://freight.cargo.site/w/1000/i/d705fb374d0ed3621c2bb254fb559b83ad2f80b4658df96f0cc98ab27624a577/Screen-Shot-2023-02-26-at-5.49.12-PM.png" /&#62;&#60;img width="1415" height="781" width_o="1415" height_o="781" data-src="https://freight.cargo.site/t/original/i/03af079d7e07f83110c9c1ef10d951d1c4b3819ab72815e429805297d4e2adc8/Screen-Shot-2023-02-26-at-5.50.16-PM.png" data-mid="169723058" border="0"  src="https://freight.cargo.site/w/1000/i/03af079d7e07f83110c9c1ef10d951d1c4b3819ab72815e429805297d4e2adc8/Screen-Shot-2023-02-26-at-5.50.16-PM.png" /&#62;&#60;img width="1417" height="786" width_o="1417" height_o="786" data-src="https://freight.cargo.site/t/original/i/7911bc813fe3235c86827e9e0bbd79b31783329f03de4766d5db693204b566db/Screen-Shot-2023-02-26-at-5.50.31-PM.png" data-mid="169723059" border="0"  src="https://freight.cargo.site/w/1000/i/7911bc813fe3235c86827e9e0bbd79b31783329f03de4766d5db693204b566db/Screen-Shot-2023-02-26-at-5.50.31-PM.png" /&#62;Juliet’s Dinner, Video Work, 2022
Featuring “Last Day”, a track by Subsonic Eye
Filmed and edited by Elsa Wong and Stephanie Jane BurtSoundtrack by Subsonic EyeWardrobe styled by Elsa Wong and Stephanie Jane BurtPerformed by Stephanie Jane BurtAssisted by Izz Bazil aka BuzzHair and Makeup by Adeline Biancha Gunawan

Juliet’s Dinner is a collaborative video project between Elsa Wong and Stephanie Jane Burt. Featuring the track “Last Day” by Subsonic Eye, the project features Juliet (played by Burt) trapped at a dinner party. Juliet becomes intrigued by a dollhouse and is pulled towards it. She eventually manages to escape the dinner party and wakes up in the dollhouse.
https://2022.monzoom.xyz/25-03-22/
</description>
		
	</item>
		
		
	<item>
		<title>Lux's Frame </title>
				
		<link>https://stephaniejaneburt.com/Lux-s-Frame</link>

		<pubDate>Sun, 26 Feb 2023 09:28:56 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

		<guid isPermaLink="true">https://stephaniejaneburt.com/Lux-s-Frame</guid>

		<description>

&#60;img width="3997" height="5996" width_o="3997" height_o="5996" data-src="https://freight.cargo.site/t/original/i/968e2509488863f8143867b85c9fe025da83484c0cfa499e95169b0fd2ed62e9/20210916ESPLVA006.jpg" data-mid="169722643" border="0"  src="https://freight.cargo.site/w/1000/i/968e2509488863f8143867b85c9fe025da83484c0cfa499e95169b0fd2ed62e9/20210916ESPLVA006.jpg" /&#62;
&#60;img width="3998" height="5996" width_o="3998" height_o="5996" data-src="https://freight.cargo.site/t/original/i/490cf0389b734f727434d87a914b287c85e677cb9716e7d0776c919fce22442f/20210916ESPLVA005.jpg" data-mid="169722645" border="0"  src="https://freight.cargo.site/w/1000/i/490cf0389b734f727434d87a914b287c85e677cb9716e7d0776c919fce22442f/20210916ESPLVA005.jpg" /&#62;
&#60;img width="3998" height="5997" width_o="3998" height_o="5997" data-src="https://freight.cargo.site/t/original/i/4d675b54a56699ec6fedeb8fdbc34f4325cd7d5089b9daab85e651b790031021/20210916ESPLVA003.jpg" data-mid="169722648" border="0"  src="https://freight.cargo.site/w/1000/i/4d675b54a56699ec6fedeb8fdbc34f4325cd7d5089b9daab85e651b790031021/20210916ESPLVA003.jpg" /&#62;Lux's Frame, 
(wood, cloth, pins, ribbon, metal, plastic, paint), Dimensions Variable, 2021&#38;nbsp;
Re-THINGing Gesture in Contemporary Sculptural Practice, Esplanade – Theatres on the Bay and Sculpture Society Singapore (SSS)The film The Virgin Suicides by Sofia Coppola chronicles the lives of five young sisters living in American suburbia&#38;nbsp;in the late 1970s&#38;nbsp;and the boys infatuated with them.&#38;nbsp;Strict regulations on how to conduct themselves and&#38;nbsp;home&#38;nbsp;confinement&#38;nbsp;led to&#38;nbsp;the&#38;nbsp;girls’&#38;nbsp;increasingly depressive&#38;nbsp;behaviour. They&#38;nbsp;struggled&#38;nbsp;at communicating their emotional states&#38;nbsp;to&#38;nbsp;the boys. The&#38;nbsp;film&#38;nbsp;examines the complexities of male desire and female longing. Unable to express their true selves, the girls&#38;nbsp;fail to&#38;nbsp;smoothly&#38;nbsp;transition&#38;nbsp;from&#38;nbsp;adolescence&#38;nbsp;to adulthood. 

Lux’s Frame attempts to&#38;nbsp;uncover&#38;nbsp;the subtle and hidden harm societal&#38;nbsp;conventions and regulations&#38;nbsp;of&#38;nbsp;women’s&#38;nbsp;behaviour&#38;nbsp;effect on the female psyche. The work features&#38;nbsp;a&#38;nbsp;suspended&#38;nbsp;canvas frame&#38;nbsp;constructed&#38;nbsp;out of&#38;nbsp;materials alluding to visual cues, like fabrics the girls’ outfits are made of,&#38;nbsp;from the&#38;nbsp;film.&#38;nbsp;In this work,&#38;nbsp;Burt&#38;nbsp;continues her exploration of&#38;nbsp;how&#38;nbsp;femininity&#38;nbsp;is&#38;nbsp;portrayed&#38;nbsp;in popular culture&#38;nbsp;and&#38;nbsp;the politics embedded in the&#38;nbsp;act of looking&#38;nbsp;that implicates both&#38;nbsp;viewer and&#38;nbsp;subject.</description>
		
	</item>
		
		
	<item>
		<title>What is the current</title>
				
		<link>https://stephaniejaneburt.com/What-is-the-current</link>

		<pubDate>Sat, 15 May 2021 12:47:45 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

		<guid isPermaLink="true">https://stephaniejaneburt.com/What-is-the-current</guid>

		<description>
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Adapted from Gertrude Stein’s poetry, the title prefaces a shared inquiry into the very conditions that enable specific ways of looking and behaving to surface. What is this current, Stein asks without a question mark, suggesting a question that has not yet sought its resolution. Burt takes up this similar question, considering the very currents that prescribe images of ideal womanhood and how these scripts can be refracted and divested of power. The exhibition continues her interest and engagement with film and fiction and considers the key but often eclipsed character of Judy at the heart of Alfred Hitchcock’s Vertigo who becomes a shadow to the fictitious ideal of Madeleine. Burt envisions the gallery as a mise-en-scène that stages a parallel fiction where Judy’s interiority can be contemplated and complicated. Through a material language that plays with the integration and disintegration of various materials such as metal, wire, ribbon, and lace, Burt choreographs how the unyielding costume of Madeleine that Judy wears can be made vulnerable, yielding to other possibilities of becoming.

What is the current that presents a behaved waist, (metal, wire, lace, ribbon, wood, acrylic on canvas), 
Dimensions Variable, Solo Exhibition,
Curated by Samantha Yap
Yeo Workshop, Singapore, 2020
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		<title>Dressing a Window</title>
				
		<link>https://stephaniejaneburt.com/Dressing-a-Window</link>

		<pubDate>Wed, 09 Jun 2021 07:37:51 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

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Dressing a Window, (steel, fabric, ribbon and plastic), Dimensions VariableCurated by Samantha Yap for Time Passes, presented at National Gallery Singapore,collection of Singapore Art Museum, 2020</description>
		
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		<title>Suppose there is A </title>
				
		<link>https://stephaniejaneburt.com/Suppose-there-is-A</link>

		<pubDate>Sun, 21 Jun 2020 05:18:55 +0000</pubDate>

		<dc:creator>stephaniejburt</dc:creator>

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Suppose, There is A, 
 (Printed Canvas, Wood, Rope, Fluorescent Lamp, Plastic, Lace, Wire, Thread, Needle),
Dimensions Variable
Earl Lu Gallery, Institute of Contemporary Arts Singapore, 2017





Curated by Stephanie Jane Burt with artists Mike Chang, 
Tan Guo Liang, Alexander Storey Gordon and Kari Robertson,
Institute of Contemporary Arts Singapore&#38;nbsp;

	
	
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